Emerging from beneath a pile of aluminum scraps, to slowly crawl across the room and out through a dark doorway.
Emerging from beneath a pile of aluminum scraps, to slowly crawl across the room and out through a dark doorway.
'Watching; Waiting' was performed in the KGB Officer's cabin on a circa 1965 Russian Submarine in Providence, Rhode Island.
This piece was made in an afternoon of open air performances.
These performances were made in response to each person who sat with me. Silent and nearly still, they were visual readings.
The location of this performance was a former Trappist monastery, and so I chose to work with the monks' daily life in the monastery.
A series of messages appeared in the ivy along the banks of the river. New ones were added each week over the course of the festival.
Distant Voices took place in an overgrown, sunken garden. As the audience walked along the paths, they triggered voices speaking out of the ground.
In response to its history, I created this performance in an abandoned, roofless room in a courtyard of an old fort in Zadar, Croatia.
During this performance, the audience and I answered questions concerning 100 years, moving from the past into the future.
Created in response to the theme of ecology and art, and the idea of traces left in nature, I chose a site along a 'renaturized' stream.