Building a house of cards, using a custom-made deck with images of current calamities and the politicians associated with them.

Building a house of cards, using a custom-made deck with images of current calamities and the politicians associated with them.
What do we neglect to pay attention to, as we rush through our days?
How many days have you been alive? How many of those days can you recall?
This performance was about what is left of our lives in the end, how we might assemble the fragments, and hopefully how we might make some kind of sense from it all.
What really will we leave behind?
Water Moving was a 12-day contemplative investigation examining the movement of water. Every day on the floor of the gallery I marked the paths along which the water traveled and evaporated.
still
stillness
nevertheless
still
here
A simple, meditative performance in the Tea Ceremony Pavilion of the Manggha Museum of Japanese Art and Technology of Kraków, Poland.
If we could choose the time and place of our deaths, would it be easier?
What are we ignoring? What are we avoiding? What do we refuse to see?
Lifting my own blinders to examine my contribution to climate collapse, by assessing my carbon footprint.
Waiting for Sunrise, in silence, from sunset at 5:04 pm on Friday to sunrise at 7:48 am on Saturday - fourteen hours and forty-four minutes.
For six hours I lay under the floor and read aloud the book 'The Borrowers,' which could only be heard by lying on the floor of the library and listening through a vent.