In this lecture Loveless explores the role art can play in attuning us differently within the convergence of crises that govern this time. Grounded in a return to Donna Haraway’s germinal 1988 essay “Situated Knowledges: the Science Question in Feminism and the Privilege of Partial Perspective,” this talk will examine feminist, ecological performance art as a modality that prioritizes aesthetic and affective spaces within which we not only reflect on what is so, but imagine and model things otherwise. Highlighting the importance of a multi-sensorial and multi-species understanding of ecological ethics, Loveless argues for the value of artistic practices that denaturalize the relationalities that govern our current extractivist systems of exploitation and power, seeding the critical and speculative imaginations needed to trouble our current ways of living and dying.